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Freddy Fender passes on


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SAN BENITO, Tex., Oct. 14 — Freddy Fender, the Bebop Kid of the Texas-Mexico border who later turned his twangy tenor into the smash country ballad “Before the Next Teardrop Falls,” died on Saturday. He was 69.

Mr. Fender, who had lung cancer, died around noon at his home in Corpus Christi with his family at his bedside, said Ron Rogers, a family spokesman.

Over the years, Mr. Fender grappled with drug and alcohol abuse, was treated for diabetes and underwent a kidney transplant.

He hit it big in 1975 with “Before the Next Teardrop Falls,” which climbed to No. 1 on the pop and country charts. His success came after years of struggle in which he had had only regional success and done a stint in prison.

That same year, “Wasted Days and Wasted Nights” rose to No. 1 on the country chart and the Top 10 on the pop chart.

Born Baldemar Huerta, Mr. Fender was proud of his Mexican-American heritage and frequently sang verses or whole songs in Spanish. “Teardrop” had a verse in Spanish.

“Whenever I run into prejudice,” he told The Washington Post in 1977, “I smile and feel sorry for them, and I say to myself, ‘There’s one more argument for birth control.’ ”

“The Old Man upstairs rolled a seven on me,” he told The Associated Press in 1975. “I hope he keeps it up.”

More recently, he played with Doug Sahm, Flaco Jimenez and others in two Tex-Mex all-star combos, the Texas Tornados and Los Super Seven.

He won a Grammy for Best Latin Pop Album in 2002 for “La Musica de Baldemar Huerta.” He also shared in two Grammys: with the Texas Tornados, which won in 1990 for best Mexican-American performance for “Soy de San Luis,” and with Los Super Seven in the same category in 1998 for “Los Super Seven.”

Among his other achievements, Mr. Fender appeared in the 1987 motion picture “The Milagro Beanfield War,” directed by Robert Redford.

In February 1999, Mr. Fender was awarded a star on the Hollywood Walk of Fame with help from Gov. George W. Bush, who wrote to the Hollywood Chamber of Commerce endorsing him.

He said in a 2004 interview with The A.P. that one thing would make his musical career complete: induction into the Country Music Hall of Fame in Nashville. “Hopefully I’ll be the first Mexican-American going into Hillbilly Heaven,” he said.

Mr. Fender was born in 1937 in San Benito, the South Texas border town credited for spawning the Mexican-polka sound of conjunto. The son of migrant workers who did his own share of picking crops, he was also exposed to the blues sung by blacks alongside the Mexicans in the fields.

Always a performer, he sang on the radio as a boy and won contests for his singing, including one prize that consisted of a tub full of about $10 worth of food.

But his career really began in the late 50’s, when he returned from serving in the Marines and recorded Spanish-language versions of Elvis Presley’s “Don’t Be Cruel” and Harry Belafonte’s “Jamaica Farewell.” The recordings were hits in Mexico and South America.

He signed with Imperial Records in 1959, renaming himself Fender after the brand of his electric guitar and choosing Freddy because it sounded good with Fender.

Mr. Fender initially recorded “Wasted Days” in 1960. But his career was put on hold shortly after that when he and his bass player ended up spending almost three years in prison in Angola, La., for marijuana possession.

After prison came a few years in New Orleans, and then an everyday life taking college classes, working as a mechanic and playing an occasional local gig. He once said he sang in bars so dingy he performed with his eyes shut, “dreaming I was on ‘The Ed Sullivan Show.’ ”

“I felt there’s no great American dream for this ex-Chicano migrant farmworker,” he told The A.P. “I’d picked too many crops and too many strings.”

But his second break came when he was persuaded to record “Before the Next Teardrop Falls” on an independent label in 1974 and it was picked up by a major label. With its success, he won the Academy of Country Music’s best new artist award in 1975. He rereleased “Wasted Days and Wasted Nights,” and it also climbed to the top of the charts.

Cristina Balli, a spokeswoman for the Narciso Martinez Cultural Arts Center in San Benito, said Mr. Fender illustrated the diversity of Mexican-American and Latino musicians. “We have our feet in different worlds and different cultures,” Ms. Balli said.

“We have our roots music,” she added, “but then we branch out to other things, pick up different styles. I think he was the precursor to Los Lonely Boys.”

Mr. Fender’s later years were marred by health problems resulting in a kidney transplant from his daughter, Marla Huerta Garcia, in January 2002, and a liver transplant in 2004. In August, Mr. Fender told The Corpus Christi Caller-Times, “I feel very comfortable in my life.”

“I’m one year away from 70 and I’ve had a good run,” he said. “I really believe I’m O.K. In my mind and in my heart, I feel O.K. I cannot complain that I haven’t lived long enough, but I’d like to live longer.”

Mr. Rogers said Mr. Fender would be brought back to San Benito for a funeral and memorial services.

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